Nathaniel Hone
1718-1784
British
Nathaniel Hone (24 April 1718 ?C 14 August 1784) was an Irish-born portrait and miniature painter, and one of the founder members of the Royal Academy in 1768.
The son of a Dublin-based Dutch merchant, Hone moved to England as a young man and, after marrying in 1742, eventually settled in London, by which time he had acquired a reputation as a portrait-painter. While his paintings were popular, his reputation was particularly enhanced by his skill at producing miniatures and enamels. He interrupted his time in London by spending two years (1750-1752) studying in Italy.
As a portrait painter, several of his works are now held at the National Portrait Gallery in London. His sitters included magistrate Sir John Fielding and Methodist preacher John Wesley, and General Richard Wilford and Sir Levett Hanson in a double portrait.[2][3]
He courted controversy in 1775 when his satirical picture "The Conjurer" was seen to attack the fashion for Italian Renaissance art and to ridicule Sir Joshua Reynolds (it also included a nude caricature of fellow Academician Angelica Kauffmann, later painted out by Hone), and was rejected by the Royal Academy. To show his reputation was undamaged, Hone organised a one-man retrospective in London ?C the first such solo exhibition of an artist??s work.
His great-grand-nephew shared the same name and was also a notable Irish painter, known as Nathaniel Hone the Younger (1831-1917). Related Paintings of Nathaniel Hone :. | halmstackar | The Adoration of the magi | Madonna and Child between St Stephen and St Ladislaus | La petite barque | New England Landscape with Ruined Chimney | Related Artists: Auguste RodinFrench Sculptor, 1840-1917
.French sculptor. Insolvent and repeatedly rejected by the École des Beaux-Arts, he earned his living by doing decorative stonework. Not until his late 30s, after a trip to Italy, did he develop a personal style free of academic restraints and establish his reputation as a sculptor with The Age of Bronze (exhibited 1878), whose realism was so great that he was accused of forming its mold on a living person. His Gates of Hell, a bronze door commissioned in 1880 for a proposed Musee des Arts Decoratifs, remained unfinished at his death, but two of its many figures were the bases of his most famous images, The Thinker (1880) and The Kiss (1886). His portraits include monumental figures of Victor Hugo and Honore de Balzac. Though these and many other works caused controversy for their unconventionality, he was successful enough that he could establish a workshop where he executed only molds, leaving the casting of bronze and the carving of marble to assistants. To his sculpture he added book illustrations, etchings, and numerous drawings, mostly of female nudes. Colijn de Coterpainted Christ as the Man of Sorrows in c. 1500 Malczewski, JacekPolish Painter, 1858-1929
|
|
|